As a boy growing up in the always-fascinating 1970s, I wasn’t
especially fond of fall. From my youthful perspective, autumns in New York
typically represented abrupt and unpleasant endings of pleasant summers
and—most critical of all—the beginnings of agonizingly long school years.
However, there were a handful of silver linings in those past autumnal clouds,
like the three networks’ spanking new prime-time TV schedules. Brand new
episodes of familiar and favorite shows—like Kojak and Sanford and Son—plus a fair share of debut programs to
sample, made fall evenings the highlight of increasingly dark days. Back then,
sitting in front of the boob tube was a welcome elixir for the autumn blues.
Well, that was then and this is now. The three networks—CBS,
NBC, and ABC—still promote their fall prime-time schedules in the months of
September and October. But the competition is stiffer than ever before. There
are cable channels aplenty to tune into and countless other visual distractions
to occupy one's time. When I mull over this extended, hysterical, and most
bizarre of election years—this latest autumn in New York for me—I can’t help
but hark back to the good old days. Or, I should say, the good old nights. When
I was a fourth grader in St. John’s grammar school, 1971-72, Friday evenings
were a special time. Weekends were in the offing and the ABC prime-time
lineup on that most appreciated of weekdays was quite something: The Brady
Bunch, The Partridge Family, Room 222, The Odd Couple,
and Love, American Style. I recall watching these shows one after
another, missing Love, American Style occasionally because it was at
once past my bedtime and rather adult-themed. Fast forward to the seventh
grade, 1974-75, and CBS’s mind-boggling Saturday night offering: All in the
Family, The Jeffersons, The Mary Tyler Moore Show, The Bob
Newhart Show, and The Carol Burnett Show.
For sure, it was a less insane time because of the
prime-time bounty. I gave some serious thought recently to this singular time
of year—to fall. The leaves turn a kaleidoscope of colors and fall, which means—for
me at least—a lot of sweeping and bagging. But I’m old-fashioned. Nowadays,
excruciatingly loud leaf blowers are the rage—they should be outlawed—and
compound the insanity that is seemingly everywhere. For some strange reason in
this fallback of mine, I remembered looking forward to, and eventually watching,
a couple of brand new sitcoms on the 1970s fall network schedules: The
Montefuscos,with the always-impressive Joe Sirola—who is happily still
among the living—and The Dumplings, with the always-large James Coco,
who is not. The former series ran for nine episodes in 1975, and the latter,
for ten episodes in 1976. I suspect I watched them all.
Consider, though, how times have changed. We’ve got a whole lot
more to choose from on television and via other venues. But less is sometimes
better, I believe, even if The Montefuscos and The Dumplings weren’t
exactly laugh riots. When cable TV first came my way, I took advantage of the
additional choices and watched nascent political debate shows like Crossfire
with Tom Braden debating Pat Buchanan. And then along came FOX, MSNBC, and
more and more contentious blather night after night after night. Too many people have gotten hopelessly hooked on the daily vitriol, and it's definitely taken its
toll.
Happily, I've weaned myself off of all that but, unhappily,
can’t fall back—like in those days gone by—on the prime-time lineups of the
networks. Netflix streaming has been my savior in these stressed times. Stream
along with me, I say, and watch Poirot, Inspector George Gently,
and Foyle’s War. Let the talking heads talk to the wall for a day or two or three, Sing a
happy song. You’ll feel better. You’ll be less angry, too, with lower blood
pressure. Remember that Mary Richards could turn the world on with her smile. And
neither Bill O’Reilly nor Chris Matthews can do that.