I had lunch today in my favorite diner. There was a woman patron a few tables behind me who was talking at-length about exterminating rats and how problematic it was. It’s a small diner, by the way, and she was loud—very loud. If I could hear her, so could everyone else in the place. I thought: How could a person be so unmindful and inconsiderate to discuss doing away with rats in an eatery? But, really, why should I have been surprised? We live in an oblivious and insensitive time.
Yes, another year is just hours away from being consigned to yesteryear. Another year, that is, in the Age of Unreason that we call home. I typically avoid political subject matter—for obvious reasons—but after reading the president-elect’s Happy New Year’s greeting, which referenced his “many enemies,” the teeny-tiniest scrap of hope, which I tenaciously clung to, vanished. I was hoping against hope, I guess, that the Orange Man—soon to be the President of the United States—might not be as narcissistic and unhinged as the previous mountain of evidence suggested. Hope doesn’t always spring eternal. Rats!
We were in the midst of the Cold War back then, which now seems—strangely—like the good old days. When contrasted with the garbled present, it was a pretty cut-and-dried period. Taking sides was easy. Fast-forward to the waning moments of 2016 and the president-elect, a Republican no less, criticizes the sitting president for being too hard on Russia, and tosses verbal bouquets to an autocratic thug. What a difference four decades make. Ronald Reagan no doubt is spinning in his grave.
In waning hours of 2016, it seems to me that virtually everything is turned upside down and—alas—not likely to right itself in 2017. And it’s not merely the political landscape that’s bizarre and ugly. It’s everyone everywhere staring obsessively into their myriad devices—checking out Facebook, texting, and babbling on their cells. The world at large is unlikely, I fear, to become a better place in the new year and rats will still be a problem.
(Photo three from the personal collection of Nicholas Nigro)