I rode the rails into Manhattan yesterday and got to
experience the good, the bad, and the ugly in the land down under. I have
something of a love-hate relationship with the subway, I guess. I love many of
its sights and sounds, but hate—really hate—its jostling masses. In other
words, I would really enjoy the subway experience without other people on the
train.
As they are typically the least crowded cars—on the Number 1
train at least—my riding in the first car downtown and last car uptown is
designed to minimize the people crush. But, alas, it’s not a perfect science.
When the crowds find their way even there—and turn the cars into proverbial
sardine cans—I can’t help but think of all the people who ride and who rode the
subways during rush hours. For a quarter of a century, my father worked the
four-to-midnight shift at the James A. Farley Post Office Building—the main New
York City P.O.—on Eighth Avenue between 31st and 33rd Streets. It’s where you
will find the inscribed post office credo: “Neither snow nor rain nor heat nor
gloom of night stays these couriers from the swift completion of their
appointed rounds.” He ventured downtown from the Bronx when the city schools
were letting out and came home in the wee small hours of the morning. Raising
five kids along the way is apt to lead a man to drink.
Really, it seems like Manhattan is getting more and more
gentrified with each passing hour. Due west of where my father toiled to earn a
living is a prime example of gentrification in high gear. Luxury high rises
appear to be springing up everywhere—apartments that will remarkably find
tenants with the financial wherewithal to live in. Who has that kind of money? Some folks,
apparently, but none that travel in my circles. In the shadows of these fancy
buildings, I encountered two thirty-something women, I'd say, tidying up their pup tent
pitched on the sidewalk. I considered snapping a picture of their humble abode,
but they didn’t appear the types to appreciate being on Candid Camera,
regardless of my motives—Exhibit A in a Tale of Two Cities essay.
Well, it was home, sweet home after that sorry snapshot—on the subway again with my last car uptown strategy a rousing success. All that was yesterday and this is today. Just moments ago in fact, the post
office delivered two packages to me—Sunday delivery! Jabbering on his cell
phone the whole time while making his appointed rounds, this postal employee literally
threw my stuff onto the top step of a front stoop, leaving it exposed to
potential poachers. He could have ascended four steps and placed the small
packages between a screen door and main door. But that would have distracted
him from his animated personal conversation.
Still, it’s a beautiful day in the neighborhood—a picture
perfect day for Palm Sunday. What I remember most about past Palm Sundays was
the mass. Courtesy of reading the multi-layered, serious business “Passion,”
the mass was excruciatingly long. It was performed, as I recall, like a play.
The priest assumed a part, the lecturer, and the lead singer, too. And nobody
delivered Judas’s “Surely, not I” villainous line of betrayal than our own
songbird Sister Therese. The typical forty-five minute service was closer to an
hour-and-a-half on Palm Sunday. And forty-five minutes at mass—from where I sat
impatiently writhing—felt like an eternity, let alone double that time.
On a happier note, my paternal grandmother used to prepare a
special Palm Sunday homemade pasta dinner. She may have emigrated from Italy,
but she embraced the American story with gusto. On this special religious Sunday, my
grandmother shaped her macaroni like “cowboy hats and ropes.” Her grandkids
often had a hand in shaping them. Imagine orecchiette pasta on steroids for the
cowboy hats and five-stick spaghetti for the ropes. But it was delicious—never
fail—and went a long way in erasing both the memory of Judas betraying
Christ and being bored silly at mass.
(Photos from the personal collection of Nicholas Nigro)
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